Something's You Might Want To Know About Music Publishing...

Now that we have established what music publishing is, we can discuss what the performances rights organization does for you, the difference between mechanical royalties and performance royalties, how music gets distribute and how effect is self-publishing you music.

There are three major performing rights organizations ASCAP, BMI, and SESAC. The purpose of these organizations are to collect royalties from all performed music, whether a song that is played in concert or a song on the radio. All published music is placed in a catalog with either one of these organizations, they then act on the behalf of the songwriter or producer to collect licensing fee for their work. In order for a song to be played on the radio or performed live it has to be published and you have to be a member of one of these organizations.

The royalties most songwriters and producer will collect are mechanical and performance. Mechanical license royalties are money collected from the sales of CD’s, DVD’s, films, videos, commercial, etc., that your song is featured on with an audio-visual media. Performance royalties are for live performances, radio, TV, satellite radio, jukebox, syndicated radio, broadcast radio, etc. The difference between the two royalties are one is performed and the other is a physical copy of the songs reproduction. But you want to learn more about the royalties in the music business visit www.bmi.com.

In the new day and era music is now digital distributed to the Internet, through iTunes, Rhapsody, CDbaby just to name a few. The songs are format into MP3 files for customers to purchase and download. So how effective is self-distributing music now? Well with the new trend of digital media, it has made it easier and effective. Artist can now create a song and digitally distribute the song himself or herself, by either uploading it to iTunes or Amazon for their fans to purchase. You can also self-publish your song by developing a publishing company and market the song yourself by distributing the song to your fans, local radio stations and record label executive. Always research information before jumping out there and make sure you have the material that others are looking for to get you that number one hit.

www.ascap.com

www.bmi.com

http://entertainment.howstuffworks.com/music-royalties7.htm

http://www.stonebridgemastering.com/blog/?p=35

The Deals of Music Publishing....

           Well we are coming close to the end. This month I will focus on publishing and distribution, from the regular old school to the new media digital era. We will discuss what music publishing is, and who are the key players in the contract deal.          

           Music publishing is when a songwriter creates (writes) a song and in order for that song to make money the songwriter has to have a publisher. The publisher signs a contract with the songwriter on the cost of how much the song will make, usually publishers and songwriter split 50/50 on royalties from the songs earnings. The publishing company use it contacts in the music industry and shops the song like it is a product trying to make as much money as possible for the song.

            When finding a publishing company you should make sure you do your homework before signing a contract with the company. Now with that being said, there is several music publishing deals out there: the “standard” publishing deal, co-publishing deals, and administrative deals to name a few. A “standard” publishing deal is the normal 50% for the songwriter and 50% for the publisher. You may be wondering if the songwriter wrote the song then way does the publisher get 50% too? Well with the publisher’s connections, marketing and promoting this song to sell to other artist or musician, the publisher is working the same if not twice as hard to get the song in purchased whether if it is by a film, commercial, or musician. The copyrights of the song is divided 50/50, so that the publisher has the right to distribute, reproduce, or allow others to perform the song. The publisher’s goal is to get as much money for the song as possible.  A co-publishing deal is when a songwriter already has their own publishing company and they sign a contract/deal with a second publisher. The income is split 50% for the songwriter, 25% for their publishing company, 25% for the secondary publishing company and the copyrights are split between the two. And an administration deal is a songwriter signs a deal with a big publishing company just to collect money on their songs. In this deal the administrator may get 10-20% of the income and the songwriter will collect the rest, and the songwriter will own all of their copyrights.

            

http://www.musicpowers.com/publishingdeals.html